Poussin and the Poetics of Painting普桑与绘画诗学: 图示叙述与达索的遗赠 下载 网盘 kindle mobi 115盘 pdf pdb rtf

Torquato Tasso's poetic discourses were the most important source for Poussin's theory of painting. The poet's ideas on artistic imitation, novelty, and plot structure and unity, which are exemplified in his epic La Gerusalemme liberata, proved to be fundamental to the artist's conception of narrative painting, culminating in the Israelites Gathering Manna. Offering new interpretations of his works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts, especially in his mythological paintings.

Illustrations

Acknowledgments

INTRODUCTION

ONE: "UT PICTURA POETICA": POUSSIN AND THE

POETICS OF TASSO

TWO: POUSSIN'S NOVITA

THREE: METAPHORICAL REFLECTIONS IN ECHO AND

NARCISSUS AND RINALDO AND ARMIDA

FOUR: THE CRITIQUE OF THE GERUSALEMME LIBERATA

AND THE VISUAL ARTS

FIVE: POUSSIN, MARINO, AND PAINTING IN THE

OVIDIAN AGE

SIX: POUSSIN, RAPHAEL, AND TASSO: THE POETICS OF

PICTORIAL NARRATIVE

CONCLUSION: POUSSIN AND THE GERUSALEMME

LIBERATA: ACTION INTO EPISODE, HISTORY INTO

MYTH

Appendix

Notes

Bibliography

Index

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作者简介：Jonathan Unglaub is assistant professor of fine arts at Brandeis University. A scholar of Renaissance and Baroque art, he has contributed to The Art Bulletin and The Burlington Magazine, and has received fellowships from the Fulbright Commission, the Andrew W. Mellon Foundation (at the Metropolitan Museum of Art), the Getty Humanities Center, and the Clark Institute.

书籍介绍

This examines how Poussin cultivated a poetics of painting from the literary culture of his own time, and especially through his response to the work of Torquato Tasso. Tasso's poetic discourses were the most important source for Poussin's theory of painting. The poet's ideas on artistic imitation, novelty, and plot structure and unity, which are exemplified in his epic La Gerusalemme liberata, proved to be fundamental to the artist's conception of narrative painting, culminating in the Israelites Gathering Manna. In the paintings after the Gerusalemme, Poussin does not merely illustrate Tasso's verse, but cultivates pictorial means to refashion the poet's metaphors of desire. The interplay of poetic and painterly imagery also animates Poussin's Ovidian masterpieces, the Echo and Narcissus and the Realm of Flora. Offering new interpretations of these works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts.