Ariandne auf Naxos in Full Score 施特劳斯《阿里阿德涅在纳克索斯岛上》全谱 下载 网盘 kindle mobi 115盘 pdf pdb rtf

One of the composer’s most highly regarded operas, with a libretto by Hugo von Hoffmansthal that artfully intermingles backstage comedy, the lofty emotions of Greek mythology and the merry pranks of a troupe of commedia dell’arte players. Strauss endowed these antic proceedings with a luminous score that combines music of great satiric wit with breathtaking flights of lyricism. Reprinted from the definitive full-score edition published by Adolph Furstner following the opera’s 1916 premiere at the Vienna State Opera.

Glossary of German Musical Terms

Dedication and Title

Characters

Instrumentation

Prologue [Vorspiel]

Opera

Overture

Schlaift sie? (Naiad, Dryad, Echo)

Achl Wo war ich? (Ariadne)

　Wie jung und sch6n und mafllos traurig!(Harlequin, Zerbinetta,Truffaldin)

　Ein Sch6nes war (Ariadne)

　Sie lebt hier ganz allein (Ariadne, Harlequin, Zerbinetta, 　Scaramuccio,Truffaldin)

　Lieben, Hassen, Hoffen, Zagen (Harlequin, Echo, Zerbinetta)

　Es gibt ein Reich (Ariadne)

　Die Dame gibt mit trfibem Sinn (Brighella, Scaramuccio, Harlequin,Truffaldin, 　Zerbinetta)

　Recitative and Aria

　Groflmaichtige Prinzessin (Zerbinetta)

　Noch glaub' ich dem einen ganz mich geh6rend (Zerbinetta)

　Hfibsch gepredigt (Harlequin, Zerbinetta)

　Eine St6rrische zu tr6sten (Brighella, Scaramuccio, Harlequin,Truffald;n, Zerbinetta)

　Mach ich ihn auf diese neidig (Zerbinetta, Bfighella, Scaramuccio,Truffaldin)

　Hand und Lippe, Mund und Hand! (Zerbinetta, Harlequin, Brighella,Scaramuccio, Truffaldin)

Scene

　Ein sch6nes Wunder! (Naiad, Dryad, Echo)

　Circe, Circe, kannst du mich h6ren? (Bacchus, Ariadne, Naiad, Echo,Dryad)

　Theseus! Nein, nein! (Ariadne)

　Ich grfilBe dich (Ariadne, Bacchus)

　Du! Alles du! (Bacchus)

　Was hangt von mir in deinem Arm? (Ariadne, Naiad, Echo, Dryad,Zerbinetta)

　Deiner hab ich um alles bedurft! (Bacchus, Ariadne)

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书籍介绍

One of the composer’s most highly regarded operas, with a libretto by Hugo von Hoffmansthal that artfully intermingles backstage comedy, the lofty emotions of Greek mythology and the merry pranks of a troupe of commedia dell’arte players. Strauss endowed these antic proceedings with a luminous score that combines music of great satiric wit with breathtaking flights of lyricism. Reprinted from the definitive full-score edition published by Adolph Furstner following the opera’s 1916 premiere at the Vienna State Opera.