（瓦格纳歌剧《特里斯坦和伊索尔德》全谱） Tristan und Isolde in Full Score 下载 网盘 kindle mobi 115盘 pdf pdb rtf

　　Among musicologists and serious lovers of music Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of 19th-century Europe. It shows in most successful form Wagner's unsurpassed gift for utilizing the instruments of the orchestra, and generations of stuttents have worked with it to learn its techniques.

Tristan und Isolde also has a remarkable historical position. It was the opera which most of the post-Wagnerians used to build upon, and it was also the opera which the anti-Wagnerians seized upon very frequently for their attacks and for their attempts to move musically away from Wagnerism. Accepted or rejected, it has been the work with which late 19th- and early 20th-century musicians had to come to terms, and much musical history of this period can be uuderstood through it.

Prelude

　Scene　Ⅰ　(A young Sailor, Isolde, Brangaine)

　　SAILOR: "Westwairts schweift der Blick"

　Scene　Ⅱ　(The preceding, Kurwenal, Tristan, a young Sailor)

　　SAILOR: "Frisch weht der Wind der Heimat zu"

　Scene Ⅲ　(Isolde, Brangaine)

　　BRANGANE: "Weh, ach wehel dies zu dulden"

　Scene Ⅳ　(Kurwenal, Isolde, Brangaine)

　　KURWENAL : "Auf ! Auf ! Ihr Frauen! Frisch und froh!"

　Scene　Ⅴ　(Tristan, Isolde, Brangaine)

　　TRISTAN: "Begehrt, Herrin, was ihr wⅡnscht"

Second Act

　Prelude

　Scene　Ⅰ　(Isolde, Brangaine)

　　ISOaDE: "HSrst du sie noch?"

　Scene Ⅱ　(Tristan, Isolde)

　　TRISTAN: "Isoldel GeliebteW

　　"O sink hernieder, Nacht der Liebe"

　Scene Ⅲ　(The preceding, Brangaine, Kurwenal, Melot, Marke)

　　KURWENAL: "Rette dich, Tristan"

　　MARKE: "Tatest du's wirklich?"

Third Act

　Prelude

　Scene Ⅰ　(Shepherd, Kurwenal, Tristan)

　　SHEPHERD: "Kurwenal ! He!"

　　TRISTAN: "Die alte Weise" 　

　Scene Ⅱ　(Tristan, Isolde)

　　TRISTAte: "O diese SonneV' 　

　　ISOrDE: "Hal Ich bin's, sfissester Freund"

　Scene Ⅲ　(The preceding, Shepherd, Kurwenal, Melot, Brangaine, Marke)

　　SHEPHERD: "Kurwenal! Horf Eiri zweites Sehiff" 　

　　ISOtDE: (Isolde's transfiguration) "Mild und leise" 　

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书籍介绍

Among musicologists and serious lovers of music Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of 19th-century Europe. It shows in most successful form Wagner's unsurpassed gift for utilizing the instruments of the orchestra, and generations of stuttents have worked with it to learn its techniques.

Tristan und Isolde also has a remarkable historical position. It was the opera which most of the post-Wagnerians used to build upon, and it was also the opera which the anti-Wagnerians seized upon very frequently for their attacks and for their attempts to move musically away from Wagnerism. Accepted or rejected, it has been the work with which late 19th- and early 20th-century musicians had to come to terms, and much musical history of this period can be uuderstood through it.