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内容简介:
Giovanni Antonio Canal (1697-1768), known as Canaletto, is one
of the most popular of all old master painters. His views of Venice
and London are much celebrated and admired. First published in
1982, this revised book traces Canaletto's career from his
beginnings as a scene-painter with his father to the work of his
later years in artists. Canaletto was interested in depicting the
world around him, but unlike most of his fellow artists, but he was
more than a mere recorder of the amazing scenery of Venice or of
Georgian England. He had the power, in the words of one of his
contemporaries, to paint so that "the eye is deceived and truly
believes it is the real thing it sees", and his insight and
technical skills were so dazzling that it was thought he must rely
on some sort of optical apparatus. His first views of Venice were
painted around 1725 for Stefano Conti of Lucca. Soon after he came
into contact with Joseph Smith, British Consul in Venice, who was
to become his most important patron. Through Smith's influence, he
came to England between about 1746 and 1756 during which time he
painted many London scenes including views of Westminster Bridge,
Whitehall, the Old Horse Guards, St James's Park and Somerset House
as well as views of Warwick Castle and Eton College. These and many
others of Canaletto's best paintings and watercolours are
reproduced in the book's much expanded range of colour
illustrations.
书籍目录:
1 An Age of Illusion
2 The Theatre Renounced
3 Change of Course
4 An English Merchant
5 Pen and Ink
6 The Eye is Deceived
8 A Friend in Need
9 London, That Spacious City
10 Escape from Reality
11 The Last Years
12 Epilogue
CHRONOLOGY
SOURCES AND
ACKNOWLEDGEMENTS
LIST OF PLATES
INDEX
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书籍介绍
Giovanni Antonio Canal (1697-1768), known as Canaletto, is one of the most popular of all old master painters. His views of Venice and London are much celebrated and admired. First published in 1982, this revised book traces Canaletto's career from his beginnings as a scene-painter with his father to the work of his later years in artists. Canaletto was interested in depicting the world around him, but unlike most of his fellow artists, but he was more than a mere recorder of the amazing scenery of Venice or of Georgian England. He had the power, in the words of one of his contemporaries, to paint so that "the eye is deceived and truly believes it is the real thing it sees", and his insight and technical skills were so dazzling that it was thought he must rely on some sort of optical apparatus. His first views of Venice were painted around 1725 for Stefano Conti of Lucca. Soon after he came into contact with Joseph Smith, British Consul in Venice, who was to become his most important patron. Through Smith's influence, he came to England between about 1746 and 1756 during which time he painted many London scenes including views of Westminster Bridge, Whitehall, the Old Horse Guards, St James's Park and Somerset House as well as views of Warwick Castle and Eton College. These and many others of Canaletto's best paintings and watercolours are reproduced in the book's much expanded range of colour illustrations.
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强烈推荐!!!
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我是新来的考古学家
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