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De*ion: ArchiSCULPTURE examines modern sculpture's proximity to and interplay with architecture, a phenomenon long neglected in the history of sculpture--but especially pronounced in the 20th century. More than any other medium, it is sculpture that crosses most with architecture: each exists in three-dimensional space, changing as the viewer moves around and through it. Not only have they shared materials--they have shared many practitioners. And this was long before percent-for-art programs were even initiated, thereby institutionalizing the need for artistic intervention into the built environment. In this generously illustrated publication, works by a long range of artists--from Boullae to Malevich, Picasso to Le Corbusier, and a host of others up to the present--feature alongside essays that examine these borderline forms of design.

Preface

Foreword

Introduction: ArchiSculpture

Cube and Womb

Sculpture as "Shifter"--On the Relationship between Sculpture and Architecture

Blur, Monolith, Blob, Box: Atmospheres of ArchiSculpture

Is Architecture Becoming Sculpture? A Virtual Roundtable with Practitioners and Theoreticians from Both Disciplines

The Exhibition in Ten Chapters

　1. The Early History

　2. The Triumph over Scale: "Architecture Is Sculpture" (Brancusi)

　3. The Conquest of Three-Dimensional Space, 1910-1930: Cubism--De Stijl--Bauhaus

　4. The Discovery of Sculptural Form, 1910-1930: Expressionism in Architecture

　5. Language--Soul--Space: Rudolf Steiner and Ludwig Wittgenstein

　6. Architecture Becomes Sculpture--Sculpture Becomes Architecture 1950-1960

　7. Sculpture as Way and Place: From Monument to Installation

　8. Minimal Architecture or Love of the Box, 1970-2000

　9. The Sculpted City 1960-1970: Urban Utopias and Informal Mega-Sculptures

　10. "Box and Blob" and the Discovery of Virtual Space: The Twenty-First Century

List of Exhibited Works

Literature

Photo Credits

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ArchiSCULPTURE examines modern sculpture’s proximity to and interplay with architecture, a phenomenon long neglected in the history of sculpture--but especially pronounced in the 20th century. More than any other medium, it is sculpture that crosses most with architecture: each exists in three-dimensional space, changing as the viewer moves around and through it. Not only have they shared materials--they have shared many practitioners. And this was long before percent-for-art programs were even initiated, thereby institutionalizing the need for artistic intervention into the built environment. In this generously illustrated publication, works by a long range of artists--from Boullée to Malevich, Picasso to Le Corbusier, and a host of others up to the present--feature alongside essays that examine these borderline forms of design. Essays by Gottfried Böhm, Christoph Brockhaus, Markus Brüderlin, Philip Ursprung, et al. Hardcover, 9.5 x 12 in. / 240 pgs / 115 color and 141 b&w.