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　　Since the bicentennial of Mozart’s death in 1991， the principal concern of much Mozart research has been to situate the composer and his music in increasingly well informed biographical， historical， critical and analytical contexts。 The contributors to Mozart Studies share this desire to paint ever-more rounded， focused and sensitive pictures of the composer by drawing upon wide-ranging historical materials and critical tools， and to project scholarly understandings considerably beyond the narrow frames of reference that traditionally characterised Mozart research。 While chapters are grouped according to the principal areas and topics covered， it is intended that other thematic links between chapters will also emerge， drawing scholars’ attention to areas primed for future investigation。 In the best traditions of Mozart research， it is hoped that these essays will collectively affirm the vitality of Mozart scholarship and the significant role that this scholarship continues to play in defining and re-defining musicological priorities。

This volume comprises a series of essays on one of the greatest and most famous musicians of all time。 Many of Mozart’s most popular works are represented， for example the Reqiuem， the piano concertos and the operas， and the reception of the composer and his music assumes special prominence。

List of figures [ vi]

List of tables [vii]

List of contributors [viii]

Preface [ix]

List of abbreviations [xi]

1　Mozart’s leap in the dark CliffEisen

2 ’Greatest effects with the least effort’：strategies of wind　writing in Mozart’s Viennese piano concertos Simon P. Keefe

3　Play or compulsion? Variation in recapitulations in Mozart’s music　for wind instruments　ulian Rushton

4 Reading Mozart’s operas ’for the sentiment’ ]essica Waldorf

5 “E” la fede degli amanti’ and the Viennese operatic　canon Dorothea Link

6 Episode and necessity　Giovanni Edmund J.in ’Non ti fidar’ from Don　Goehring

7 The marriages of Don Giovanni: persuasion，impersonation　and personal responsibility Elaine Sisman

8 Myth: Mozart，money，music Daniel K. L. Chua

9 Postmodern Mozart and the politics of the　mirror lames Currie

Index of Mozart’s works by Kochel number

Index of Mozart’s works by genre

General index

Simon P. Keefe is Professor and Head of Music at City University London。

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书籍介绍

Since the bicentennial of Mozart's death in 1991, the principal concern of much Mozart research has been to situate the composer and his music in increasingly well informed biographical, historical, critical and analytical contexts. The contributors to Mozart Studies share this desire to paint ever-more rounded, focused and sensitive pictures of the composer by drawing upon wide-ranging historical materials and critical tools, and to project scholarly understandings considerably beyond the narrow frames of reference that traditionally characterised Mozart research. While chapters are grouped according to the principal areas and topics covered, it is intended that other thematic links between chapters will also emerge, drawing scholars' attention to areas primed for future investigation. In the best traditions of Mozart research, it is hoped that these essays will collectively affirm the vitality of Mozart scholarship and the significant role that this scholarship continues to play in defining and re-defining musicological priorities.