Cubano Be, Cubano Bop(ISBN=9781588341471) 英文原版 下载 网盘 kindle mobi 115盘 pdf pdb rtf

　　Based on unprecedented research in Cuba, the direct testimony

of scores of Cuban musicians, and the author's unique experience as

a prominent jazz musician, Cubano Be, Cubano Bop is destined to

take its place among the classics of jazz history. The work pays

tribute not only to a distinguished lineage of Cuban jazz musicians

and composers, but also to the rich musical exchanges between Cuban

and American jazz throughout the twentieth century.

The work begins with the first encounters between Cuban music and

jazz around the turn of the last century. Acosta writes about the

presence of Cuban musicians in New Orleans and the “Spanish tinge”

in early jazz from the city, the formation and spread of the first

jazz ensembles in Cuba, the big bands of the thirties, and the

inception of “Latin jazz.” He explores the evolution of Bebop,

Feeling, and Mambo in the forties, leading to the explosion of

Cubop or Afro-Cuban jazz and the innovations of the legendary

musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and

Chano Pozo. The work concludes with a new generation of Cuban jazz

artists, including the Grammy award-winning musicians and composers

Chucho Valdés and Paquito D’Rivera.

Foreword by Paquito D'Rivera

Preface by Raul Fernaindez

Introduction

Acknowledgments

Cuban Music and Jazz: First Encounters

The Twenties and the First Jazz Ensembles

The Big Bands and the Contradictory IUos

The Forties: Bebop, Feeling, and Mambo

The Explosion of Cubop or Afro-Cuban Jazz

Havana in the i95os

End of the Decade: The Club Cubano de Jazz

MusicalTransition: I959 and After

Irakere and the Takeoff of Cuban Jazz

Postscript

Notes

Glossary

Interviews and Conversations

Index

　　Leonardo Acosta is the author of more than a dozen books on

music and literary criticism, as well as fiction and poetry. He

lives in Havana, Cuba.

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书籍介绍

Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century.

The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.