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内容简介:
In late seventeenth- and early eighteenth-century Rome, a rhetorical war raged among intellectuals in the attack and defense of language, literature, and the visual arts. This book examines the cultural upheaval that accompanied attacks on the baroque predilection for ornament, extended visual metaphors, grandiloquence, and mystical rapture. Rome's Academy of the Arcadians emerged as a potent social and cultural force in the final decade of the seventeenth century and throughout the eighteenth century provided a setting for arguments on artistic taste and reforms in literature and religion. This book describes the waning days of the baroque and ends with an analysis of the Parrhasian Grove.
作者简介:
Vernon Hyde Minor is professor in the departments of art and art history, and comparative literature and the humanities, at the University of Colorado, Boulder. A Fellow of the American Academy in Rome and member of the Association of Members of the Institute for Advanced Study, he is the author of Art History's History, Baroque and Rococo: Art and Culture, and Passive Tranquility: The Sculpture of Filippo de la Valle. He is currently the Editor of the Memoirs of the American Academy in Rome.
书籍目录:
1 Michelangelo Marisi da Caravaggio, Crucifixion ql: St. Peter, I6oI-o2, Santa Maria del Popolo, Rome
2 Michelangelo Merisi da Caravaggio, St. John the Baptist, I609--IO, Villa Borghese, Rome
3 Gianlorenzo Bernini, Interior ofSant'Andrea al Quirinale, I658-7o, Rome
4 Luca Giordano, Ecce Homo, I659-6o, Pinacoteca di Brera, Milan
5 Francesco Trevisani, Rest on the Flight into Egypt, c. 1715, Dresden, Gem~ildegalerie Alte Meister
6 Jan Frans van Bloemen, Arcadian Scene with Roman Buildings, c. I69OS
7 Giacomo della Porta, Tomb of Paul III, Farnese, I55I-I575, St. Peter's, Rome
8 Gianlorenzo Bernini, Tomb of Urban VIII, Barberini, I623-45, St. Peter's, Rome
9 Filippo della Valle, Tomb of Innocent XII, Pignatelli (with design provided by Ferdinando Fuga), 1743, St. Peter's Rome
1O Filippo della Valle, Tomb of Thomas Dereham, 1739, S. Tommaso degli Inglesi, Rome
11 Detail of Figure IO
12 Carlo Maratti, Venus Tinting the Rose, black chalk, after original painting (now lost), Belgium, Private Collection
13 Carlo Maratti, The.Judgment of Paris, Ekaterininsky Palace, Pushkin (Tzarskoje Selo), Russia
14 Carlo Maratti, Apollo and Daphne, i68i, Brussels, MusSes Royaux des Beaux-Arts de Belgigue
15 Carlo Maratti, Self Portrait with the Marchese Pallavicini (I1 Tempio di VirttS), Stourhead, Wiltshire, The National Trust, Hoare Collection
16 Nicola Salvi, Trevi Fountain, 1732-62, Rome
17 Nicola Salvi, Trevi Fountain, detail of slipping pilaster
18 Nicola Salvi, Trevi Fountain, detail of grotesque masks, c. i735, Rome
19 Giuseppe Prodi and Francesco Pincellotti, Oak Tree, I742-4, Trevi Fountain, Rome
20 Filippo della Valle, Salubrity, I762, Trevi Fountain, Rome
21 Filippo della Valle, Fecundity, 1762, Trevi Fountain, Rome
22 Andrea Bergondi, Agrippa Supervising the Construction of the Aqua Yigo, I76O, Trevi Fountain, Rome
23 Giovanni Battista Grossi, 7?ivia Pointing Out the Source of the Aqua Virgo, I76o, Trevi Fountain, Rome
24 Giovan Mario Crescimbeni, Plan for an Arcadian Garden, I725, Biblioteca Angelica, Rome
25 Antonio Canevari, Project for the Bosco Parrasio, I725, drawing, Accademia di San Luca, Rome
26 Antonio Canevari, Dedicatory Plaque, with Inscription to John V of Portugal
27 Antonio Canevari, Stairway, Bosco Parrasio, Rome
28 Antonio Canevari, Skene and Paraskenia, Theater, Bosco Parrasio
29 Plaque Honoring Giovan Mario Crescimbeni, Bosco Parrasio, Rome
30 Ernst Lawson, Plan ofBosco Parrasio, I92o, Library of the American Academy in Rome, Rome
31 Antonio Canevari, Capital on Inside of Gate, Bosco Parrasio, Rome
32 Antonio Canevari, Grotto, Bosco Parrasio, Rome
33 Antonio Canevari, Gravina's "Laws" of the Arcadia, Bosco Parrasio, Rome
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书籍介绍
In late seventeenth- and early eighteenth-century Rome, a rhetorical war raged among intellectuals in the attack and defense of language, literature, and the visual arts. Death of the Baroque and the Rhetoric of Good Taste examines the cultural upheaval that accompanied attacks on the baroque predilection for ornament, extended visual metaphors, grandiloquence, and mystical rapture. Rome's Academy of the Arcadians emerged as a potent social and cultural force in the final decade of the seventeenth century and throughout the eighteenth century it provided a setting for arguments on artistic taste and reforms in literature and religion. This book describes the waning days of the baroque and ends with an analysis of the Parrhasian Grove, the Arcadian garden on the slopes of Rome's Janiculum Hill.
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