The Cambridge Companion to Kate Chopin（ISBN=9780521709828） 下载 网盘 kindle mobi 115盘 pdf pdb rtf

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Chronology

Introduction Janet Beer

1. What we do and don't know about Kate Chopin's life Emily

Toth

2. At Fault: a reappraisal of Kate Chopin's other novel Donna

Campbell

3. Kate Chopin and the subject of childhood Pamela Knights

4. 'Race' and ethnicity in Kate Chopin's fiction Susan

Castillo

5. Kate Chopin on fashion in a Darwinian world Katherine

Joslin

6. The Awakening and New Woman fiction Ann Heilmann

7. Reading Kate Chopin through contemporary French feminist theory

Michael Worton

8. The Awakening as literary innovation: Chopin, Maupassant and the

evolution of genre Elizabeth Nolan

9. Kate Chopin, choice and modernism Avril Horner

10. Kate Chopin and post-colonial New Orleans Helen Taylor

11. The Awakening: the first hundred years Bernard Koloski

Guide to further reading

Index.

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　　Although she enjoyed only modest success during her lifetime,

Kate Chopin is now recognised as a unique voice in American

literature. Her seminal novel, The Awakening, published in 1899,

explored new and startling territory, and stunned readers with its

frank depiction of the limits of marriage and motherhood. Chopin's

aesthetic tastes and cultural influences were drawn from both the

European and American traditions, and her manipulation of her

'foreignness' contributed to the composition of a complex voice

that was strikingly different to that of her contemporaries. The

essays in this Companion treat a wide range of Chopin's stories and

novels, drawing her relationship with other writers, genres and

literary developments, and pay close attention to the transatlantic

dimension of her work. The result is a collection that brings a

fresh perspective to Chopin's writing, one that will appeal to

researchers and students of American, nineteenth-century, and

feminist literature.

　　? Covers all of Chopin's oeuvre in its historical and

international literary context ? Offers a variety of theoretical

approaches to reading her work ? Emphasises for the first time the

transatlantic dimension of her fiction