牛津通识读本 艺术史 英文原版 Art History A Very Short Introduction 英文版 进口原版英语书籍 OUP Oxford 下载 网盘 kindle mobi 115盘 pdf pdb rtf

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牛津通识读本 艺术史 英文原版 Art History A Very Short Introduction 英文版 进口原版英语书籍 OUP Oxford书籍详细信息

  • ISBN:9780192801814
  • 作者:暂无作者
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  • 出版时间:2020-03
  • 页数:144
  • 价格:74.00
  • 纸张:轻型纸
  • 装帧:平装-胶订
  • 开本:16开
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内容简介:

This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyse a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, 'blockbuster' exhibitions, the emergence of social histories of art (Feminist Art History or Queer Art History, for example), the impact of photography, and the development of Art History using artefacts such as the altarpiece, the portrait, or pornography, to explore social and cultural issues such as consumption, taste, religion, and politics. Importantly, this book explains how the traditional emphasis on periods and styles originates in western art production and can obscure other critical approaches, as well as art from non western cultures.


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书籍介绍

This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyse a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, 'blockbuster' exhibitions, the emergence of social histories of art (Feminist Art History or Queer Art History, for example), the impact of photography, and the development of Art History using artefacts such as the altarpiece, the portrait, or pornography, to explore social and cultural issues such as consumption, taste, religion, and politics. Importantly, this book explains how the traditional emphasis on periods and styles originates in western art production and can obscure other critical approaches, as well as art from non western cultures.


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